BEST FOR: VARIED LIGHTING CONDITIONS

You can’t beat the Gobe NDX Variable ND for an adjustable neutral density filter at a great value. This is a circular filter that attaches directly to your lens and blocks light to avoid overexposed images in bright, sunny conditions You can adjust the strength of the filter by simply rotating the ring. It is designed for use with lenses that are a medium focal length, but shouldn’t be used for extreme wide angle or telephoto shooting.

The Gobe NDX Variable ND filter features a protective coating which provides a neutral color balance, so it won’t add a strange color cast to your landscape photos.

BEST FOR: POLARIZER PERFORMANCE

The Breakthrough Photography X4 CPL Circular Polarizer is an extremely high-quality polarizing filter which eliminates glare to provide a crystal clear image with accurate colors. While polarizing filters can often add a color cast to photos, this filter is designed with special technology that virtually eliminates the yellow cast.

The glass of the X4 CPL Circular Polarizer is extra clear to ensure your photos stay sharp. The filter attaches directly to the front of your lens, and it is constructed to be weather-resistant, so it is made to handle whatever conditions you might find when you’re outdoors shooting landscapes.

BEST FOR: COMBINING POLARIZATION & COLOR ENHANCEMENT

Though it is an expensive filter, the Singh-Ray LB Color Combo performs double duty as a polarizer and intensifying filter, making it worth the investment if you need both. This is an excellent filter for landscape photography, as it is made especially to enhance both warm tones and green tones in an image, while reducing glare as well as a blue color cast.

The Singh-Ray LB Color Combo also enhances the saturation of the sky and provides extra contrast in photos. The filter is also constructed to avoid reducing light entering the lens, so you can still shoot in lower light conditions.

BEST FOR: TARGETING RED TONES

The Hoya Red Intensifier specifically targets the red and orange tones in an image to enhance those colors and create contrast with other colors, yet the filter preserves other tones, including white and neutral tones, without adding an unwanted cast. This filter is also useful for landscape photography at night, as it reduces light pollution by toning down the appearance of yellow light from artificial sources.

Made of extra clear optical glass and lightweight aluminum alloy, the Hoya Red Intensifier is durable and comes with a plastic case for storing in your kit and taking on the go for your outdoor adventures in landscape photography.

BEST FOR: VALUE POLARIZER

If you need a simple polarizing filter at a low price, the Tiffen Circular Polarizer fits the bill and makes an ideal addition to your landscape photography camera kit. This polarizing filter prevents your landscape photos from looking washed out by reducing reflections and glare. This saturates the sky and offers deeper image contrast.

The Tiffen Circular Polarizer attaches to the front of your camera lens. This provides extra control over how the filter affects your image, because you can rotate the filter to change the specific effect based on the angle of the sun and light entering the lens.

BEST FOR: ADJUSTABLE RANGE OF NEUTRAL DENSITY FILTERS

The set of LEE Graduated Neutral Density Soft Edge Filters is a great choice to give you a lot of control over the amount of light blocking you use and how it is applied to your photo composition. This is a set of three rectangular ND filters, which can be stacked in a holder to provide the right level of neutral density for the lighting conditions you shoot in. Because it is a graduated filter, only part of the image will be affected, and you can adjust the position of the filter in the frame. Plus, the soft edge on the gradation makes it more natural and less noticeable.

BEST FOR: HIGH-END POLARIZER

The B+W X-Pro Kaesemann HTC Circular Polarizer is a high-performing polarizing filter that comes with a higher price tag than entry-level filters. It is designed to provide the benefits of polarization, including reducing reflection and haziness, while reducing light entering the lens by a minimal amount, so you still have full control of the aperture.

The filter is specially coated with an extra protective layer which provides extra reflection reduction, as well as making the filter water resistant and easy to clean by causing water to bead up. The filter ring is also sealed to keep humidity and water out.

BEST FOR: ADJUSTABLE NEUTRAL DENSITY

If you want one filter that gives you a range of options for the level of neutral density you want to use, the Tiffen Variable Neutral Density is a perfect choice. This filter screws on to the front of your lens, and, with a simple twist of the ring, you can smoothly and easily change the level of light it blocks. This allows you to prevent overexposure in your landscape photos, as well as smooth motion in water for a beautiful blurred effect.

Tiffen uses a proprietary ColorCore process to construct the filter so clarity and color are not compromised. The thin profile of the filter is designed to reduce the chance of vignetting, which is when the corners in the image are darkened.

BEST FOR: NIGHTTIME LANDSCAPE PHOTOGRAPHY

When you’re shooting night landscapes, even when you’re out in nature, you can still have light pollution, but with the Nisi Natural Night Filter in your camera bag, you can eliminate the yellow cast from from artificial light. This filter blocks those lights, allowing stars and other natural light sources to appear more clearly in your landscape photos.

The Nisi Natural Night Filter is a rectangular filter that requires a holder to attach to the lens, which does allow this filter to be used with a variety of lenses. The surface of the lens has a protective coating which causes water and oil to bead up and makes for easy cleaning on the go.

BEST FOR: CAPTURING LANDSCAPES AT SUNRISE

The Tiffen Graduated Sunrise Filter is a specialized filter that comes in hand if you like to get an alpine start and catch the sunrise. The filter is half clear and graduates to a color enhancement that saturates orange and yellow tones to really make the sunrise stand out. A soft edge on the gradation provides smooth and natural looking blending in the photo, and you can rotate the ring of the filter to precisely align the color and clear parts.

This filter is not very useful for situations other than sunrise, so it’s more of a bonus addition to your camera kit than an essential for landscape photography.

BEST FOR: THE ‘ALL IN ONE’ TRAVELLER 

If you prefer a gadget that has all its featured packed inside, rather than having to buy numerous accessories and add-ons to get what you want, look no further than the Vanguard VEO 235AB tripod. The aluminum legs have 3 different angle options, giving you a lot of range when it comes to getting that perfect shot, and the feet can be changed from rubber to spiked, ensuring extra stability if the terrain isn’t ideal. 

A low angle adaptor is included with the tripod, allowing you to get extra low angles when needed. The tripod’s soft rubber handle provides extreme grip, even if the weather isn’t the best and things get a little bit damp. The Vanguard VEO 235AB tripod is able to fold down into an extremely compact state, perfect for traveling and storage, and it comes with its own carry case.

BEST FOR: PROFESSIONAL QUALITY IN A COMPACT PACKAGE

Weighing in at a minimal 2.4lbs, the K&F Concept 63” DSLR Tripod can hold a huge load of up to 22lbs, ensuring that it won’t meet a camera kit that it can’t handle. The 360 degree ball head allows for ease of movement when positioning the camera, so you can be sure that you won’t be limited in what angle you can sit the camera at to get that perfect shot. 

The magnesium alloy tubing is extremely light and stable, and the whole tripod can be folded and reversed 180 degrees, which allows you to store it in your backpack or day bag with no problems. The pull button tube lock on the legs provides a quick release action, ensuring that you’ll have the tripod set up and ready to shoot without missing a critical moment. The included tripod bag is dust, dirt, and moisture resistant.

BEST FOR: LIGHTWEIGHT BUT STURDY SHOOTING CONDITIONS

One of the lightest tripods on the list, the Manfrotto BeFree Advanced Travel Aluminum Tripod is designed to fit in your backpack or in your carry on luggage, ensuring that it’ll always be there when you need to whip it out and capture a scene. Equipped with a quick release adapter, the legs are able to be folded tightly together rather than left sticking out, making it even more compact. 

The included carry case is easy to throw over your shoulder when you’re going out on a trek, and the light weight of the tripod itself won’t leave you with a shoulder injury after hours of hiking like some other heavy duty Manfrotto tripods might. The ball head ensures that you can secure the camera at any angle you desire, and the system that locks the camera in place is extremely easy to use.

BEST FOR: ROAD TRIPS 

When you’re on the road, having a piece of equipment in your kit that can cover a whole range of necessities is ideal, which makes the MeFOTO RoadTrip Classic Lightweight tripod an absolute essential. The tripod is able to be folded inward for storage, and this is also how you turn it from a tripod into a monopod, giving you the ability to get perfectly steady shots while holding your camera, which can help to get all the angles you may not be able to get from a static tripod. 

This tripod is also panorama compatible, as you are able to turn it 360 degrees and keep it steady, even when the camera is locked in to the mount. The tripod legs are able to be locked at different angles, enabling steady shooting no matter the terrain or how much space you have to shoot with.

BEST FOR: GETTING DOWN AND DIRTY

We spend a lot of time worrying about whether our cameras are weather resistant and waterproof, but what about our tripods? It would be awful to be stuck out in the rain during a shoot and end up with a rusty tripod. The Dolica GX600B200 Proline GX Series tripod has legs that are scratch, dust, and moisture resistant, ensuring that you don’t have to worry if you end up sticking the legs in the mud to capture that perfect scene. 

The extra firm snap locking legs give the tripod extra stability that it may need if used in unstable terrain, and the feet are made of non-stick rubber that ensures it won’t end up slipping and damaging your camera if it does happen to get a bit wet. The ball head is easily movable, allowing the user to capture panoramic shots if they want to.

BEST FOR: THROW IT IN YOUR BAG AND HIT THE ROAD 

The Sirui T-025SK Carbon Fiber Travel tripod is equipped with sturdy, foldable legs and a removable center column that can help to give you some extra height if you need it to capture the scene in front of you, but when removed makes it easier to fit in your backpack or travel bag. 

Even though it is lightweight and portable, this Sirui tripod can hold a load of up to 11lbs, which should be enough to hold most camera kits, even when equipped with heavy zoom lenses. The ball head allows for easy maneuvering of your camera to ensure you aren’t limited with the amount of angles you can secure your camera at. The locking system is easy to use and very sturdy, even though the tripod itself is quite lightweight.

BEST FOR: HEAVY DUTY LOADS

For a travel tripod, the Gitzo GK1545T Series 1 Traveller is an absolute beast. Able to hold a weight of up to 22lbs, you’ll be able to equip it with any camera kit under the sun without worrying about whether or not the tripod will be able to handle it. 

The carbon fiber legs ensure that the tripod stays extremely light, but helps to give it its huge amount of strength. The G-lock technology on the legs allows for the tripod to fold even more compactly than others, but also allows for quick unlocking so that you aren’t left unfolding your tripod when trying to capture a scene in the heat of the moment. The included shoulder strap enables you to throw the Gitzo tripod over your shoulder and hit the road, no need to think twice about it or worry about it fitting in a bag.

BEST FOR: ULTIMATE PERFORMANCE 

A proper tripod, especially one that has all the bells and whistles of a heavy duty one compacted into a small, lightweight and portable package, is something to invest in. The Benro FTA28CV1 Travel Angel Series 2 tripod is the ultimate travel tripod— its reverse folding carbon fiber legs provide extreme strength and stability, with twistable locks and magnesium castings that ensure that this tripod does not skimp on performance. 

With this tripod, you’ll be able to easily convert one of the tripod legs into a monopod whenever you see fit, to ensure steadiness when filming in hand. It’s also fitted with an easy to use ball head, enabling you to rotate and lock the camera into place in any position that you see fit, with individual controls for the pan lock and the ball lock. The twist locks on the tripod’s legs are able to be adjusted individually, which makes placing the tripod on uneven terrain extremely easy.

BEST FOR: EXTRA LIGHTWEIGHT 

There are often times where you go on a trek or a hike that won’t allow you to take a full kit with you, as it will add too much weight to your pack and might leave you injured if you will be traveling for a long time. However, you’re stuck with the dilemma of wanting to bring a tripod to ensure that you make the most of your opportunities to shoot, but you need something that can be stored easily and won’t add too much weight to your pack— The Oben CT-3535 is your tripod. 

This 5-section tripod is fixed with twist locks which allow for easy height adjustment, and each leg can be positioned independently to provide more ease when shooting on rougher terrain. The non-slip rubber feet can be moved away to reveal spiked feet, allowing you to get a proper grip on soft surfaces such as grass or sand.

BEST FOR: ALL-AROUND VERSATILITY

If you’re looking for one travel lens to take with you that can do it all, the Nikon AF-S NIKKOR 24-120mm offers a versatile range of focal lengths in a single, high-quality zoom lens. With this lens, you can shoot wide-angle closeups then quickly zoom to a short telephoto to capture distant subjects, all without switching lenses.

The NIKKOR 24-120mm has excellent image stabilization, so your shots won’t be blurry, even when you’re on-the-go shooting handheld. The Silent Wave Motor provides precise and fast autofocus capabilities, yet you can simply switch to manual focus if you want complete control.

BEST FOR: ZOOM RANGE

The Nikon AF-S NIKKOR 28-300mm lens is the travel lens of choice when you need a long zoom range. This lens can zoom in to full telephoto so you can capture clear shots of subjects far in the distance. At the wide end, it is suitable for landscape photos as well. However, the NIKKOR 28-300mm has a fairly slow aperture when it is zoomed in all the way, meaning it does not let in as much light as lenses with a faster aperture.

One feature that makes the NIKKOR 28-300mm lens especially nice for travel is the zoom lock switch which prevents the lens from extending accidentally in your bag during transport.

BEST FOR: GENERAL USE

If you don’t need a long zoom range, the Nikon AF-S NIKKOR 24-85mm is a good choice for a general lens. You can shoot wide angle landscapes and also capture great portraits with this lens, but you won’t be able to zoom close to objects far away. The autofocus is precise, and you can easily switch it to manual if you need more control.

The Vibration Reduction image stabilization system is a real asset when shooting handheld, and it also automatically detects when you’re using a tripod for video and adjusts the image stabilization to allow you to still pan smoothly.

BEST FOR: CAPTURING CANDIDS

You can’t beat the Nikon AF-S NIKKOR 24-70mm for taking pictures of people when you’re traveling. This lens captures beautifully illuminated images through its full range of zoom, and in low light, it’s great for playing with depth of field and focusing on select subjects. Internal elements in the lens are designed to provide clarity and reduce weird color effects, while special coatings prevent distracting lens reflections.

This zoom lens can capture landscapes as well, although the zoom range is not super long, so if you want a telephoto lens, you should add another lens to your kit as well.

BEST FOR: VERSATILE FIXED LENS

The Nikon AF-S NIKKOR 35mm is a fixed prime lens, so you can’t zoom with it, but this focal length imitates the perspective you naturally see with your eyes, making it extremely versatile for natural shooting. The fast aperture lets in a lot of light which creates clear images, even in low light conditions. It also means the background ends up blurrier than the subject you focus on, providing a beautiful depth of field effect.

The small size of this lens means it is very easy to carry when you’re traveling. If you already have a zoom lens, this makes a great complementary lens to have in your camera bag.

BEST FOR: WIDE ANGLE

When you want to play around with a super wide angle lens, the Nikon AF-P NIKKOR 10-20mm lets you find an interesting new point of view. This lens excels at landscapes and cityscapes, which is extremely useful when you’re traveling. It also provides a fun perspective for closer shots of people and animals, and you can focus on subjects as close as 0.8 feet away.

Though this lens lets you take cool wide angle photos with compatible Nikon cameras, it won’t work properly with all cameras, so double-check that you have a compatible camera before adding this lens to your camera kit.

BEST FOR: ACTION PHOTOS

The Nikon AF-P NIKKOR 70-300mm lens lets you zoom in or out to follow the action of adventure, wildlife, or whatever you might encounter on your travels.The versatile focal length range of this zoom lens lets you capture both wider landscape shots along with telephoto images, and the large zoom ring makes it easy to quickly adjust your framing. The smooth autofocus also helps you catch fast-moving subjects with clarity.

Due to its durable construction which is both dust and water resistant, the NIKKOR 70-300mm lens can handle adventure travel, and the short length for a zoom lens makes it easy to pack.

BEST FOR: NATURE PHOTOGRAPHY

The Nikon AF-S NIKKOR 50mm is a dream lens for capturing outdoor scenes just as you see them with your naked eye, since this focal length mimics your natural perspective. It is a great choice to travel with on an outdoor adventure because you can never predict weather conditions, and the NIKKOR 50mm performs extremely well in whatever lighting conditions you might find yourself in.

Because this prime lens has a fixed focal length, you’ll need to bring another lens along if you want a zoom or telephoto option. But the NIKKOR 50mm makes an ideal additional lens, especially since it is so small and lightweight.

BEST FOR: LANDSCAPES

If you love landscape photography, the Nikon AF-S NIKKOR 16-35mm lens belongs in your travel camera bag. This zoom lens lets you choose from a variety of wide angle focal lengths to perfectly capture the beautiful landscapes you discover on your outdoor travels. The image stabilization keeps your shot steady, even when you’re shooting handheld, and the design of the lens keeps your image sharp through the entire zoom range.

Since the NIKKOR 16-35mm lens only offers wide angle options, it is best paired with another lens when you’re traveling if you want a full range of focal length options.

BEST FOR: PORTRAITS

If you want to capture gorgeous portraits that highlight your subject while blurring the background (called a bokeh effect), the Nikon AF-S NIKKOR 85mm lens will make a useful addition to your travel lens collection. This lens also captures skin tones beautifully and handles low light conditions well, thanks to a wide aperture.

While the Nikon AF-S NIKKOR 85mm shines at portraiture, it is is a prime lens with a fixed focal length, so it is not the most versatile lens. But it is lightweight and small, so it makes a good extra travel lens.

BEST FOR: THE URBAN EXPLORER

Starting off with a prime lens, meet the Fujinon XF35mmF1.4 R. It is a wide-angle lens with a viewing angle close to a human eye, making it great for landscapes and architectural snapshots. Its fixed focal length allows the lens to have a faster aperture speed, reaching up to f/1.4. What this means is that you can take amazing photos in the dark, be that indoors or outside. Plus, you will have more control over the depth of the scene with selective focus techniques and a wide aperture. 

Thanks to its Super EBC lens coating, the XF 35mm takes care of ghosting and flare, as well as different color distortions. It works especially well at larger apertures, such as those you might use for urban photography. Besides optical qualities, this lens impresses with its physical build. Weighing only 6.6 ounces, this small lens is very light and packable – perfect for travel.

BEST FOR: VERSATILITY

Moving on to zoom lenses, the Fujinon XF18-135mmF3.5-5.6 R LM OIS WR presents a versatile range of focal lengths. This includes ultra-wide-angle and some telephoto capabilities, giving you much room to experiment as you travel around. To add to this versatility, there is a linear motor and image stabilization. The motor delivers fast and fairly quiet autofocus, while the stabilization reduces camera shake up to 5 shutter speed stops. 

As for color fringing and other types of distortions, the lens includes an intricate optical design with extra-low dispersion elements and aspherical elements. Additional color correction comes from an HT-EBC coating that boosts contrast and sharpness. If you want to explore various depth of field techniques, you can do that with the lens’ 7-blade aperture diaphragm, producing a beautiful bokeh effect. And, of course, the lens is protected with 20 different weather seals, so you can record your travels at any time.

BEST FOR: THE LOVER OF PANORAMAS

If you like taking landscape and architectural photos as you travel, then an ultra-wide-angle lens like the Fujinon XF10-24mmF4 R OIS may be of use. It specializes in very wide angles of view up to 110 degrees – nearly panoramic! Aside from this, the lens has a stepping motor, which is not as fast as a linear one, but it is nearly silent and works well.

Just like the other lenses so far, the XF 10-24mm has image stabilization, a Super EBC coating, and various optical elements that combat distortions. Designed for Fujifilm’s X series, the lens is compatible with mirrorless cameras, as well as a lens modulation optimizer. This function accounts for diffraction, or loss of focus, near the edges of an image that is created when a RAW file is converted into JPEG. So, if you are someone who finds this useful, this lens has you covered.

BEST FOR: MACRO AROUND THE WORLD

Going back to another prime lens, we have the Fujinon XF80mmF2.8 R LM OIS WR lens. It is made specifically for X-mount mirrorless cameras. This lens works well for macro photography due to its long focal length and high aperture capabilities. They combine to isolate your subject for sharp results. Plus, the lens allows for a 9.8-inch minimum focusing distance, so you can get up close and personal to your subject. Not to mention the magnification of 1:1, which is ideal for macro shots. 

In terms of autofocus, this lens has a linear motor and a floating focus system, which uses 2 focus areas to maintain image quality. This gives you lots of flexibility for any type of photography. Finally, any travel photographer would like a weatherproof lens. The XF 80mm has a sealed body that is protected against cold as well as other weather conditions, and a fluorine coating on the front that shields against smudges and moisture.

BEST FOR: THE PHOTOJOURNALIST

If you want something more or less standard, the Fujinon XF16-55mmF2.8 R LM WR meets this need. Spanning 16 to 55mm, this lens provides you with ultra-wide-angle shots as well as portraits. This is perfect for photojournalism as you travel. Moreover, this lens has an aperture of f/2.8, which means it is able to take on difficult lighting and hand-held shots. As for optics, there are extra-low dispersion elements, as well as aspherical ones, so color and other distortions are minimized.

Besides these attributes, there is a twin linear motor, meaning that you are getting a fast and nearly silent autofocus. The aperture has a 9-blade diaphragm, which is a plus if you like portrait photography, as this feature makes a beautiful bokeh background a possibility. Naturally, the lens is fully weather-sealed, so you can photograph in temperatures as low as 14°F, and conditions such as rain.

BEST FOR: PORTABILITY

Weighing 10.6 ounces and measuring just 2.8 inches in length, the Fujinon XF 23mm F1.4 R is one of the most compact lenses in its series. This makes it highly portable and packable, making your travels a little easier. The focal length of 23mm allows for wide-angle photography, like landscape, urban, and portrait. Plus, the maximum aperture of f/1.4 performs well in poorly-lit conditions and hand-held shots. As for focusing, this lens uses a special internal motor that has an exceptionally fast autofocus even in demanding conditions.

XF 23mm also uses an aspherical element that guards against various distortions. This optical rather than digital image correction results in high-quality shots that you can count on. And several layers of an HT-EBC coating take care of chromatic aberrations, as well as increase the durability of the lens. It has comfortable ergonomics, as the manual focus ring is easy to control, which is definitely a plus if you are a manual shooter on the go.

BEST FOR: THE FISHEYE SURREALIST

The Fujinon XF8-16mmF2.8R LM WR is the lens with the widest viewing angle on this list. It provides fisheye results, so if this is something that interests you, this lens has you covered. It gives you the possibility of shooting panoramic landscapes and surreal scenes. The lens has 6 extra-low dispersion elements that ensure no chromatic aberrations and 4 aspherical elements that reduce distortion and heighten the sharpness of your image.

The lens also includes a Nano-GI coating that protects against flare and ghosting, helping you out in difficult lighting conditions, such as those in urban photography. Besides this, there is a linear motor that drives fast and quiet autofocus. As for portability, this lens measures about 5 inches in length and weighs 1.8 pounds – not the most packable, but still easy to travel with. And finally, the XF 8-16mm is sealed in 11 different places, permitting work in inclement conditions and cold.

BEST FOR: QUICK PORTRAITURE

As you travel, you may be inclined to take photos – portraits – of people. And this is when the Fujinon XF56mmF1.2 R will come to the rescue. Its prime focal length of 56mm is ideal for portraiture. Plus, it is coupled with an aperture of f/1.2 that allows for work in low-light conditions and is great at making the subject stand out. A 7-blade diaphragm helps with that, as it produces a nice bokeh effect and gives control over the depth of field. 

The optical design of this lens makes it very versatile since the inclusion of extra-low dispersion and aspherical elements suppress all sorts of aberrations and distortions. A Super EBC coating further works to enrich the images you take. If you decide to experiment with video, an internal focusing mechanism promises fast and quiet performance. As a final note, this lens measures 2.7 inches in length, taking up the least amount of space compared to other lenses here.

BEST FOR: COMFORT OF A SEMI-PROFESSIONAL

The Fujinon XF 55-200mm f/3.5-4.8 R LM OIS is a great basic lens that you can use in a variety of ways. Its linear autofocus motor is made for capturing fast-moving subjects and not making a noise. This is a plus for both landscape and urban photography since your shooting won’t disturb animals or people. Complementing the autofocus, this XF 55-200mm lens has a 4.5 stop image stabilization that reduces camera shake on hand-held shots.

The optical design diminishes chromatic aberrations – distortions – that pile around areas of contrast. This also results in handy control over the depth of field of any travel scene. A special Super EBC coating filters out lens flare, blurring, or ghosting that often plague urban shots. As for the focal length range, it provides all that a traveling enthusiast needs: touristy wide-angle and occasional telephoto. Finally, the lens’ weight of just 20.5 ounces is a definite plus for on-the-go shots.

BEST FOR: WALKS IN THE RAIN

The Fujinon XF 100-400mm f/4.5-5.6 R LM OIS WR is an upgrade to the previous lens. And the most obvious update is its focal range. Here, it is oriented more towards telephoto and macro photographers, rather than landscape. Additionally, there is a zoom lock and a focus limiter switch. The zoom lock keeps the zoom that you choose so it doesn’t change, while the focus limiter lets you pick whether you want the focus to operate in the background, foreground, or anywhere else. 

This lens further offers twin linear motors, which drive an advanced autofocus that’s perfect for fast subjects. It also has a 5-axis image stabilization that offers up to 5 shutter speed stops which will benefit any type of photography. Lastly, the XF 100-400mm harbors 13 different weather seals, so you can explore any scene, be it rain, hail, or snow, and make the most of it.

BEST FOR: ALL-AROUND PERFORMANCE

The Peak Design Everyday Camera Pack 20L (it also comes in a 30L model) truly is a peak performer in travel camera bags. The pack easily fits a DSLR with a few lenses, and the FlexFold system of internal dividers allows you to customize the compartments to your gear, while an internal sleeve holds a laptop up to 15 in. The MagLatch system for top closure makes accessing your gear quick and easy, yet the closure is still extremely secure. The bag also offers side access on each side.

Thanks to tension straps that can easily be tucked away when not in use, you can attach a large amount of gear, such as tripods, to the pack externally. Though this might be called the Everyday Camera Pack, it really is the perfect way to carry all your gear with you wherever you travel.

BEST FOR: MINIMAL & LIGHTWEIGHT

If you’re looking for a small, lightweight bag, the Peak Design Everyday Sling 5L is the perfect go-anywhere pack. This bag is designed to be carried as a cross-body sling, so you always have your camera handy on your travels. The strap can also be adjusted to carry it as a waist pack for hands-free convenience.

Although it is not large enough to fit a whole camera kit, the Everyday Sling can easily fit a mirrorless camera plus a couple lenses or a DSLR with one lens, and it has plenty of pockets for small accessories such as batteries and cables.. The bag also includes two flexible dividers that attach with velcro, so you can adjust the layout of the interior to your needs.

BEST FOR: EASY TO CARRY

The Mountainsmith Tanack 10 Lumbar Camera Pack is part of a whole system including a backpack and camera cubes, yet it can be used on its own as a great shoulder bag. A padded waistbelt helps redistribute the weight and makes it more comfortable to carry. The bag includes several thoughtful features as well, such as an included rain cover if you get caught in wet conditions and a removable bag for keeping small accessories organized and handy.

The Tanack Lumbar Pack fits a camera inside the main compartment but does not include padded dividers for your lenses. You can purchase an optional Mountainsmith Kit Cube if you want to add dividers to your bag.

BEST FOR: BACKCOUNTRY TRAVEL

When you want to take your camera with you on an adventure into the backcountry, the Evoc Photo Op 16L is an excellent combination of a daypack and a camera bag. The outer fabric is a durable polyester which is coated in polyurethane to repel water and keep your camera gear dry if you’re hit by a rainstorm. The rear compartment is designed to hold a hydration system, so you can bring plenty of water on a hike.

The padded camera compartment is removable if you want to use it on its own, and if you don’t need your camera gear, the Evoc Photo Op is a nice daypack without it.

BEST FOR: CARRY-ON BAG

The Thule Covert DSLR Rolltop Backpack is the perfect bag to keep your camera gear safe and secure, especially as a carry-on when you’re traveling by plane. Made of durable and water-resistant fabric, this backpack can withstand a beating, whether you’re taking it across town or across the country. The protective camera compartment is easy to access through a side zipper, and the compartment can be removed to be carried on its own.

The Covert Rolltop Backpack can hold both a DSLR and a drone, so you don’t have to choose which one to bring on your next adventure. However, the bag can get a bit heavy if you pack all your gear in it, and although the shoulder straps are padded and ergonomic, there is no waistbelt to help support the load.

BEST FOR: BIKING

The Timbuk2 Enthusiast Camera Bag is designed to let you bring all your photo equipment into the great outdoors with ease. It has an attachment for a bike light, so if that’s your preferred mode of travel, the Enthusiast is an excellent choice for a camera bag. It can also carry a tripod externally, and you can easily fit a DSLR with extra lenses and accessories inside with padded dividers to protect each piece.

The outer fabric is durable to stand up to arduous travel, and padding on the shoulder straps and back is extra thick for comfort and protection when you’re on the move.

BEST FOR: EXPANDABILITY

The Peak Design Travel Camera Pack can compress down to 35L and expand up to 45L, so you can have room for what you need without leaving a lot of unnecessary empty space. The bag also has pockets everywhere, including the top, side, and even in the waistbelt, so it’s easy to stash and access all your small stuff without worrying about losing it.

Though the Peak Design Travel Camera Pack can pretty much do it all as a travel camera bag, it is definitely on the pricey side. Plus, it requires you to purchase camera cubes separately to compartmentalize and protect your gear in the large main compartment.

BEST FOR: OFFICE TO THE ROAD

The Peak Design Everyday Camera Messenger Bag is the camera bag you need to go from a regular office day to an on-the-road adventure. The bag can hold a DSLR with 3 lenses, as well as a laptop or tablet, so you can easily tote all of your gear with you. A tripod carry system makes it easy to bring your tripod along as well.

The rigid design of the Everyday Camera Messenger Bag protects your expensive gear. It also expands and contracts without losing its shape and putting pressure on the contents inside. Two Peak Design Camera Clip attachments on the outside of the bag allow you to quickly stow your camera hands-free between shots and easily grab it again when you need it.

BEST FOR: HEAVY CAMERAS

The Manfrotto Element Traveller Big is an excellent choice for a travel tripod, with lots of features that make it perform well in a variety of situations. At a little over 3.5 lbs, it’s not the lightest travel tripod out there, but it can hold a load of over 17 lbs, so it can support your heaviest DSLR along with big lenses and accessories.

The Element has rubber-coated twist locks on the legs, making it easy and quick to adjust each leg individually, which is especially nice when you’re on uneven terrain outside. Also, one of the legs detaches and converts to a monopod, which is handy in areas where tripods are not allowed.

BEST FOR: VERSATILITY

The GorillaPod 5K tripod features Joby’s unique flexible tripod design in a package that is large enough to handle a DSLR. The jointed legs of the Joby GorillaPod 5K allow you to use this travel tripod in all sorts of configurations just about anywhere – you can wrap it around trees, adjust it to sit on rocks, and even grip it in your hand if you’re on the move.

The head on the GorillaPod 5K can pan 360° and tilt 90° so you’ll never miss the shot once you’re set up. A bubble level allows you make sure that your shot is straight.

BEST FOR: ADJUSTABILITY

The 3 Legged Thing Punks Corey tripod folds down to a compact 13.7 in for travel, but when you set it up, it can extend to a maximum height of 58 in, so you can comfortably get the shot without crouching down too much. With the three different leg angles and five twist locks on each leg, the Corey can be adjusted to a variety of heights, so you can get the shot from just the right angle.

The Corey has a patented mounting plate which makes it easy to attach accessories, and the tripod kit also includes several tools, including a multi tool, hex key, and a carabiner.

BEST FOR: VARIED ANGLES

The Vanguard Alta Pro has a unique proprietary Multi-Angle Central Column which allows the central column to be positioned from a 0° to 180° angle. The center column also allows for a full 360° rotation, so you can get the exact angle you need for your shot, making the Alta Pro an excellent choice for macro photography.

The legs of the Alta Pro have flip leg locks for quick adjustments, and the legs can be positioned at three different angles. The legs also feature twist out metal spikes on the bottom to add stability on dirt or rocky ground.

BEST FOR: PROFESSIONAL QUALITY

The Gitzo Traveler Series 1 is a professional level tripod with a price tag to match. The carbon fiber legs make the Traveler Series 1 tripod extremely lightweight for its size, and the legs reverse to fold around the center column to pack away and transport. Yet the tripod can extend to a maximum height of 60 in and hold up to 22 lbs of camera gear. A second, short center column is included which can be used to capture low angle shots.

However, a pan head for the Gitzo Traveler Series 1 is not included and needs to be purchased separately, which only adds to the steep investment for this high-quality tripod.

BEST FOR: HIKING PHOTOGRAPHERS

The Manfrotto BeFree is an ideal choice for hikers who want to capture images on the trail. It comes with a carrying case with a shoulder strap, so you can easily transport the tripod and be ready to set up as soon as you see your shot. The legs can be positioned at two different angles, and the center column is removable so you can position the tripod low to the ground.

The Manfrotto BeFree comes in multiple colors to match your style, and you can also choose your preference of twist or lever leg locks when you purchase.

BEST FOR: BACKPACKING

The Vortex Optics Summit tripod is simple yet full-featured and weighs only two lbs while collapsing to a height of 14 in, so it is easy to slip inside your pack on your next adventure. The light weight and small size does only support small DSLRs up to 5 lbs, but if your camera is one of those, this is a great choice for a travel tripod.

The center column of the Vortex is split so you can remove the lower section to get low angle shots. The legs have twist leg locks for adjustability, and the legs can be positioned at three different angles. Rubber feet keep the tripod from slipping on slick surfaces such as polished rock.

BEST FOR: ALL-AROUND PERFORMANCE

The MeFOTO RoadTrip travel tripod offers many high-quality features in a small package that is easy to take with you when you’re exploring outdoors. Both the legs and center column have rubberized twist locks for easy and secure adjustments, and the legs can be set at two different angles to handle uneven ground. One of the legs is removable to convert to a full-size monopod, and it is foam-cushioned to help you keep a secure and comfortable grip while shooting.

The pan head rotates 360° and features a bubble level to prevent crooked shots. The RoadTrip also includes a carrying case which is handy, since it is slightly heavy for backpacking.

BEST FOR: VIDEOGRAPHERS

The Benro Aero 4 Travel Angel is designed with several features specifically for videographers. The fluid video head includes separate pan and tilt control and allows you to make smooth movements while you’re shooting video. The integrated leveling ball lets you make quick adjustments and keep your shot straight on the fly.

The legs of the tripod can be positioned and locked at three different angles – flip lock levers on the legs let you adjust each one individually on uneven ground. The tripod includes two types of feet, rubber or spiked, which you can swap out depending on the surface you’re setting the tripod on.

BEST FOR: TABLETOP TRIPOD

One of the tiniest travel tripods you can find, the Manfrotto PIXI EVO provides stable support for small DSLRs, though it lacks the height and features of a full-size travel tripod. The legs of the PIXI EVO have two sections and can be adjusted to 5 different levels, from a height of 2.4 in to 7.7 in. This means the PIXI EVO can handle uneven ground well, even if it can’t get very high.

The head of the tripod includes a notch at 90° so you can easily switch your camera into a portrait orientation, giving you extra options for framing the shot.

BEST FOR: CRISP RESULTS

The Canon 100-400mm IS II lens has an advanced build, incorporating special elements that reduce distortion that often creep into zoomed images. A special coating has also been included to prevent lens flare and blur. Not only these, but many other features as well make your photos detailed and rich. Plus, the lens is weather-sealed and protected against smudges – perfect for shooting outdoor scenes and subjects besides birds. 

Another notable feature is stabilization. The Canon IS II lens has 4-stop stabilization, meaning that it reduces camera shake to make it appear as though the shutter speed is higher and the images are crisper. This is crucial for wildlife bird photography since birds move very quickly, and any shake will turn into blurring. However, for times when you need a blurred background, IS II has a 9-blade diaphragm – the part that controls aperture – that provides a smooth depth of field, helping your feathered friend to stand out even more.

BEST FOR: EXPOSURE CONTROL

As opposed to focusing on the sharpness of the image, the Nikon 200-500mm f/5.6 VR lens specializes in exposure control. It has an electromagnetic aperture mechanism that provides a lot of control and stability over the exposure of the image. This is especially great if you are shooting continuously, for example when you are taking photos of birds in flight. Plus, the lens’ motor results in silent and fast autofocus, capturing the moments you need without scaring your subject away with noise. 

Since this is a telephoto lens, it is prone to color fringing, where magenta lines appear in areas of contrast, and distortions at higher zooms. However, the VR lens has dispersion elements in its optic design. This allows for higher color accuracy and contrast. While all this sounds good, this lens is heavy, weighing 5 pounds, and it is not weather-sealed. Thus, it is not too comfortable for outdoor shooting in non-dry conditions.

BEST FOR: THE ALL-AROUND BIRD-WATCHER

While this is not the lens with the highest zoom capabilities, the Nikon 80-400mm VR lens is one that has the largest range. Its zoom covers the ground from portrait and wide-angle scenes to impressive telephoto shots. This versatility lets you experiment with your style; you can photograph birds from up-close in zoos, or from afar in parks. Plus, you can take macro photos of birds, emphasizing their feathers, eyes, and so on. 

Similarly to other lenses on this lists, this one has image stabilization up to 4 shutter speed stops, dispersion elements, and a Silent Wave motor. All these help with wildlife photography, reducing blur, correcting color distortions, and improving autofocus. Focus can also be improved with a versatile depth of field, which this lens allows with its 9-blade aperture diaphragm. A Nano Crystal coating enriches colors in bright and backlit scenes.

BEST FOR: THE PROFESSIONAL 

Canon 400mm f/5.6L – the only prime lens on this list – integrates efficiency and light weight in its design. It is roughly twice as light as most other telephoto lenses, weighing just 2.8 pounds. This allows you to effortlessly operate it outside. Another reason you can work with it in the outdoors without worries is that it is dust-tight and protected against inclement weather. So, you don’t have to worry about ruining your lens in humid conditions. 

As mentioned, this is a prime lens, which is fixed with no zoom options. However, these types of lenses are faster and provide better background blur. Added to that is an Ultrasonic motor for fast autofocus, so you will not miss the perfect shot of such speedy creatures as birds. If you are worried about lens flare since you want to photograph birds in the sky, the lens has that covered. It offers a Super Spectra coating that reduces flare and corrects color, and a lens hood that prevents too much light from entering the shot.

BEST FOR: THE DISTANT BIRD

The Tamron SP 150-600mm F/5-6.3 Di VC USD is the lens with the biggest zoom on this list. Such telephoto ranges are perfect for bird photography, as you may be shooting far into the sky or zooming into a distant nest. However, there is a tradeoff for that, which is a less controlled exposure. Despite the zoom of the lens, it is more compact than you would expect since it is engineered so that optical elements don’t move, conserving space and weight.

This lens is typically used with Nikon cameras, providing great performance. Naturally, it has vibration reduction that is effective enough to support long shutter speeds, small apertures, hand-held shooting, and low-light conditions. Various coatings protect the lens from flare, color distortions, and dull contrast. Another feature of the lens is its Ultrasonic motor that makes autofocus fast and nearly silent. To expand its outdoor use, Tamron Di VC is weather-sealed, letting you remain bird-watching during inclement weather.

BEST FOR: THE ONE KEEN ON COLOR

If you are looking for a third-party lens with great color fidelity, then the Sigma 70-300mm f/4-5.6 APO is the one for you. Firstly, the Sigma 70-300 is designed to reproduce colors as realistically as possible, reducing to a minimum the risk of aberration. Another major feature of this lens is that it functions as a tele-macro lens, working well with both. Thus, you can zoom into the distance or zoom into a close-up of a bird, and the lens will support you either way. 

Besides these main points, the Sigma 70-300mm has multiple layers of coating and a 9-blade aperture diaphragm. Multiple layers of coating protect your images from flare and improve contrast. Meanwhile, the 9-blade diaphragm gives you control over the depth of field. It does not matter if you have a Nikon or a Canon, this lens is compatible with many cameras since it has a built-in autofocus motor.

BEST FOR: THE ON-THE-GO ARTIST

Being part of Sony’s G Master line, the FE 100-400mm lens offers great resolution with rich sharpness. This telephoto lens also has an E-mount, so you can use it with full-frame mirrorless cameras. You can further adjust how stiff the zoom ring is – or how much force you need to apply to zoom in. This can be great if you switch between using the zoom a lot to picking one setting and sticking with it, or if you are always on the go. 

In bird photography, the lens needs to perform well in tracking moving subjects. Thus, Sony F4.5-5.6 GM OSS has a few focus-related features just for that. Firstly, it has a focus range limiter and different focus hold controls that result in better precision. As for more standard specifications, the lens has an anti-smudging coating, SteadyShot image stabilization, and anti-flare coatings. For outdoor bird shooting, the lens is weather-sealed, and has a compact build, weighing just 49.2 ounces.

BEST FOR: FAST-MOVING BIRDS

Another member of the G Master series, the FE 70-200mm has a similar optical design than the previous lens but with a set of different features. As already mentioned, this lens provides sharp and clean photos that catch a professional’s eye. However, it also has a smaller zoom range and less magnification in general. 

While this does mean that it won’t be able to photograph subjects as far away as a 300mm lens can, this GM OSS has a better aperture range, giving you faster shutter speeds up to f/2.8. Thus, you can capture images of fast-moving birds in all their details. This aperture range is also an asset in low-light conditions and hand-held photography. If you want to experiment with background blurring, the lens has an impressive aperture diaphragm with 11 blades. What this does is it works fast and creates a smooth bokeh (background blur) effect, making your bird model stand out.

BEST FOR: VISITS TO THE AVIARY

The Fujifilm XF 55-200mm f/3.5-4.8 R LM OIS is a standard telephoto lens that can be mounted onto mirrorless Fujifilm cameras and is fairly affordable. While it is not a superzoom lens, it has the basics covered, which are great for visits to the aviary or a park. The lens’ optical design focuses on reducing chromatic aberrations, such as magenta lines along the areas of contrast or color inaccuracies in distant scenes. It also provides sharp images and decent control over the depth of field. 

As for other features, this XF 55-200mm lens has a Super EBC coating, a 4.5 stop image stabilization, and a silent autofocus system. The coating ensures that your photos are not compromised by flare or color distortions. The stabilization reduces camera shake to make it seem like you were shooting with a higher shutter speed. And the linear motor is great for fast-moving subjects like birds. And since you will be spending lots of time outdoors, you might appreciate the light weight of this lens – just 20.5 ounces!

BEST FOR: FOCUSED WORK

An improved version of the previous lens, the Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR offers many features, but also a hefty price. First off, this lens has twin linear motors, meaning that the performance of autofocus is much better, and more equipped for quick birds. Secondly, the lens has better image stabilization, reaching 5 stops for even sharper photos. Another noteworthy point is that it is compatible with Fujifilm mirrorless cameras.

Besides these, there are different zoom and focus features as well. The lens has a focus limiter switch, letting you choose how far you want to focus. This makes autofocus much faster and more efficient, especially with distant subjects like birds. Plus, a zoom lock will help you maintain needed zoom settings without fear of accidentally changing them. And lastly, the lens is equipped with 13 weather seals, so you can take photos in inclement and cold conditions.

BEST FOR: BIRDS ON A BUDGET

If you’re looking for the perfect bird-watching companion camera that won’t break the bank, look no further than the Nikon D72000 DX-Format DSLR. Providing awesomely sharp images, even in low light conditions, coupled with its ability to maintain 6 frames per second when in burst mode, makes this a camera you don’t want to overlook. 

The autofocus works extremely well, even when you’re using the camera in low light, so you don’t have to worry about losing track of a pesky bird at sunset. Running on 24.2-megapixel hardware gives this camera amazing bang for its buck, with images that rival even the most professional of cameras. The Nikon D7200 is ready for a challenge, regardless of what environment you put it in. It is sure to exceed your expectations and perform to its full potential.

BEST FOR: A ‘DO IT ALL’ VIBE

If you’re looking for a camera that you can take into the humid Amazon rainforest, but also bring along with you for a night out on the town, the Nikon D500 might be the one for you. The ISO range on this camera is extremely high, allowing you to get some great late-night shots, without skimping on the quality, and providing great noise control. 

If you’ve got your heart set on photographing the beautiful birds that live in the rainy national parks, the Nikon D500 has great weather sealing that will help protect it from the elements. The screen is able to be tilted, allowing you to use the live viewing feature to its full capabilities, even if you need to hold the camera high up above your head to snag that perfect shot. An added bonus is that this model includes a touch screen, meaning you can easily adjust the settings without having to worry about fiddling with dials if you’re in a hurry.

BEST FOR: RAIN OR SHINE

When you look at an expensive camera, you think to yourself that you need to protect it with all of your might — there’s no way you’d take that thing out in the rain, or even a little drizzle, right? Wrong! The Fujifilm X-H1 camera is basically made for the elements. With a body made with thick magnesium alloy, it is extremely scratch resistant. 

The camera is also dust and water-resistant, meaning you don’t have to worry about it when you’re crouching in dewy bushes, trying to capture the flapping wings of a hummingbird. The Fujifilm X-H1 is able to operate in drops of temperature up to 10 degrees Celsius, allowing you to get that perfect shot even on a cold winter morning when your hands are freezing underneath your thermal gloves.

BEST FOR: FAST FLYERS

The Nikon D5 DSLR promises precise and extremely fast autofocus, even in low light environments. Pair this camera with a great Nikon telephoto lens, and you won’t ever want to pick up another one. 

The ISO range on the Nikon D5 is completely out of this world, as it is expandable up to 3,280,000. Even though an image taken at that high of an ISO will produce quite a bit of noise, it definitely shows how far Nikon is willing to go to allow its user to get their perfect shot, whether that be during the middle of the day, or during a beautiful sunset. 

When in burst mode, you’re able to take up to 200 RAW images at a time, which is a great asset to have for bird photography, allowing you to take full advantage of the beautiful colors and details this camera produces.

BEST FOR: INCREDIBLY DETAILED SHOTS 

The Canon EOS-1DX Mark II DSLR is able to provide both fast shooting capabilities and extremely detailed shots, ensuring that you leave every shoot satisfied with what you were able to capture. The autofocus on the EOS-1DX Mark II is hard to beat, enabling you to capture a perfectly clear shot even as you duck and weave through the trees to get that money shot. 

The autofocus even holds up when using burst or continuous shooting modes, allowing you to focus on getting that perfect shot, while the camera does the rest of the hard work. Whether you’re shooting during a sunny day or late in the evening, this camera has got you covered with amazing low light performance capabilities.

BEST FOR: WANNABE PROS

The Canon EOS 5D Mark IV is a great camera for those budding wildlife and bird photographers wanting to make the switch to full-frame. With 30.4 megapixels of Canon goodness to play with, there is no doubt that you will be able to produce great photos in any environment. 

The camera has great, fast autofocus and allows you to track those pesky birds across your screen with ease. The ISO range is solid, and the camera is able to maintain a fast shutter speed without falling victim to camera shakes, causing photos to come out blurry. 

This camera also has a built-in GPS, allowing you to track where exactly you took certain shots if you need to revisit in the future to capture more photos of the same species of bird. This camera comes with all the advantages of a typical full-frame camera.

BEST FOR: STEADY HANDLING IN THE FIELD

Do your nerves and sweaty palms ever get the better of you in the field, when you’re trying to get that perfect shot of a quick flying bird? The Sony A99II 42.4 MP DSLR is here to help you! Built to last with a rigid, magnesium alloy body, complemented with manageable dimensions that provide you with an easy grip — you don’t have to worry about dropping this one in a haste.

Equipped with an amazing sensor, the shots you’re able to capture are extremely realistic, with limited noise. You’ll be able to capture even the quickest of movements with amazing built-in autofocus and tracking, ensuring you won’t lose sight of your target even when they’re on the move, like a lyrebird, ducking and weaving through the trees and blending in with its surroundings as it mimics the sound of your camera shutter.

BEST FOR: GOING BEAST MODE 

If you’re looking for a camera that can really put up with everything you throw at it, and has stood the test of time, the Canon EOS 7D Mark II might be your perfect match. Becoming a true beast out in the field, its dual processors enable you to continuously shoot for up to 1,000 photos at a time, ensuring you will definitely get that perfect shot of even the fastest of birds.

And you won’t have to worry about any sort of delay, as Canon ensures that the 7D Mark II is capable of shooting up to 10 frames per second. Worried about getting that perfect amount of focus? This camera has an ‘intelligent tracking system’ that, once engaged, allows you to slightly hold down the shutter button in order to track your subject across the screen, giving you time to choose the perfect shot.

BEST FOR: TRACKING SUBJECTS 

You’ll never find a tracker that works faster than the one built into the Fujifilm X-T30. Although it has built-in face and eye recognition that is built for portrait photography, the subject tracker doesn’t skimp when it comes to keeping a hold on a fast flapping bird. 

The low-light limit for the tracker has been stretched from previous models, meaning that the camera will be able to hold focus on the subject even when the sun begins to fade away, as you lose track of time trying to get the perfect shot. 

The touch screen makes it really easy to switch between modes or change settings when you’re on the go. Plus, the screen can also be tilted in two directions, meaning that it is easy to use even when you have to angle the camera to get the best shot.

BEST FOR: THE PROFESSIONAL ON THE GO  

The Nikon Z-6 combines its full-frame capabilities with a hard-working processor that allows you to capture the most realistic looking images, so full of vibrancy and incredible details that it will be hard to believe that they’re photos, not just frozen pieces of still life. 

Unlike other full-frame cameras, the Nikon Z-6 is mirrorless, making it incredibly lightweight and easy to carry around with you if you’re hiking through the national park, trying to get the perfect shot of the native birds. 

With a hugely expandable ISO scale, you can easily take beautiful low light shots just like you would if you were shooting during the middle of the day, no difference in quality at all. The tracking sensor on this camera is top-notch, assuring that your subject will be tracked all over the screen, even right to the edges. You won’t lose sight of any beautiful birds.

BEST FOR: DURABILITY

If you’re looking for a monopod that can withstand a bit of harsh treatment when needed (I mean, we’re all guilty of throwing things in our backpack every now and again), there’s no need to look any further than the Manfrotto XPRO 5-Section Monopod. Even when packed down, this monopod is still quite tall, however, this does not impact its ability to be travel-worthy, as it is lightweight yet sturdy. The quick power locking system allows for easy and effortless set-up and take-down. Even with its portability, this monopod can easily hold a heavy camera and lens set without buckling or tilting.

BEST FOR: SUPPORT THAT’S TOUGH TO BEAT

It’s not every day that a photographer comes across a monopod that provides the rigidity and stability that the Vanguard VEO 2 AM-264TR does. The Vanguard brand is well known for its 3-leg stabilizing structure, which really works to provide unwavering support even when working with a heavy camera and lens setup. And if the feet aren’t really your style, they are easily retracted away, replaced by a single rubber nub at the bottom of the monopod.

The twist locks on the body move extremely smoothly, allowing you to quickly set up the monopod whenever an animal shows up in the distance. The rubber grip provides that comfortable hold that you need when using a piece of equipment for long periods of time. This monopod does weigh a little more than some others that are marketed as being a bit more portable, but when you compare all the wonderful features you get with this one, it’s hard to complain.

BEST FOR: ADVENTURERS

If the name didn’t give it away, the Benro Adventure MAD38C Carbon Fiber monopod is excellent for the budding adventurer in your life. Although a little pricier than some other monopod models, the durable yet lightweight carbon fiber build, among other impressive features, certainly ensure that you’re getting the right amount of bang for your buck.

The one rubberized foot allows for the monopod to be rotated in many directions, expanding the photographer’s options when it comes to angles, while still maintaining adequate levels of stability. This monopod can hold the most beastly of setups, as its maximum load capacity sits at a hefty 16kg, making it perfect for use with a telephoto lens. This monopod really is quite well rounded, and could be suited to any number of different photographers/videographers, and is a great piece of kit to have in your possession.

BEST FOR: A BEAST OF A CAMERA KIT 

If you’re looking for a monopod that can truly measure up to any challenge you throw at it, the 3 Legged Thing Alan is certainly up for the challenge. With a max load capacity of a huge 60kg, there really is no limit to the kind of camera kit you can pack on to this beast of a monopod. Equipped with a retractable foot, the 3 Legged Thing Alan provides all of the control and stability you could ever want in a monopod.

For all of its heft, this monopod is a bit on the shorter side which can be a dealbreaker for taller photographers. However, when you look at all of the other amazing features, it is hard to say no to this bad boy. This monopod is also priced around the $300-$400 mark, making it quite the investment, but one that you definitely won’t regret making.

BEST FOR: ON-THE-GO PHOTOGRAPHY

A hearty carbon fiber tube combined with leg locks that provide extra support where it’s needed most, the Gitzo Series 2 Traveler GM2562T monopod is everything a wildlife photographer could want. Don’t be fooled by the compactness of this monopod and the ease in which it can be transported — the number of features trapped in its tiny body should not be underestimated. 

It has enough strength to hold a heavy camera kit without risk of buckling or affecting the camera angles. This monopod even comes with a smart strap that you can wear around your wrist, or if you’re feeling extra, you can clip it to your belt or your pocket. If carrying equipment on your person isn’t your thing, this monopod is small and lightweight enough to fit comfortably in a backpack or a traditional camera bag — you won’t even notice that it’s there.

BEST FOR: ANY TERRAIN

With its patented column rotation, the VEO 235AB presents a fast set-up. To secure your camera no matter the terrain, the tripod features convertible feet. They can be either regular for urban ground or spikes for an uneven one. Furthermore, if you’re traveling, you’ll need a sturdy tripod. To account for that, the 235AB has aluminum alloy legs. These allow for 3 angle settings, one of them being an extra-low angle for creative composition. 

As for ergonomics, this tripod has a large rubber handle that retains its grip in any weather. Plus, there is a ball head with another large locking knob that is easily accessible and adjustable. And another seemingly small, but useful feature is a bubble level that will help you position the tripod and the camera perfectly. As good as that sounds, this tripod may not be able to keep heavier cameras in place.

BEST FOR: THE URBAN TRAVELLER

The Manfrotto BeFree is a compact tripod with a unique folding technique. Its legs fold up and around the center ball head, achieving a small size. Namely, it can extend from 15 inches to 56. The legs, also, can be unfolded and set up independently from others. And with two angle stops, there are a lot of set-up possibilities, letting you experiment with a variety of different angles.

This tripod can support up to 8.8 pounds – enough to support even the heaviest of cameras. Although, be careful with DSLRs in portrait orientation since the angle won’t be held up. One disadvantage, though, is that this tripod has fixed feet, so you can’t switch them out for spikes. This limits the terrain you can take the tripod to, but if you’re more of an urban traveller with lightweight gear, this tripod should be just right.

BEST FOR: THE MULTIMEDIA ARTIST

The Manfrotto Compact Action tripod may look average, but it features one interesting function. On the grip head of the tripod, there is a knob that lets you switch between a photo and a video mode. The photo mode gives you free control over the angle of the camera. Meanwhile, the video mode maintains the same horizontal level for flawless panning. If you work with both photography and videography or take panning photos, this feature is a big plus.

As for other specs, this tripod weighs about 2.6 pounds and can support gear of 3.3 pounds. While this doesn’t seem too impressive, it does mean that it will be well balanced. The joystick head, as well as the quick-release plate makes working with the tripod fairly simple. Plus, a regulating dial helps adjust and fine-tune your camera in place. Overall, this tripod is great for multimedia projects with photos and videos, as well as for supporting mid-sized DSLRs.

BEST FOR: THE BACKPACKER

True to its name, the Manfrotto Element Traveller Small is collapsible to 12.6 inches. This is slightly bigger than a page that you put into your printer. Thus, it is easy to carry the tripod around in your backpack. The Element Small expands to a regular size of 52 inches. 

Besides the size, this tripod offers flexibility with angles and positioning. Its center column has 2 sections that let you adjust the height at which your camera is placed. Plus, the legs have 3 sections each that you can set up independently from the other legs. This way, you can work on any terrain and uneven ground. 

You can control the ball head along with your camera via two knobs. The primary one deals with the ball, while the second one engages 360-degree panning. This panning base also has degree markings. An additional notch lets you flip your camera 90 degrees into the portrait orientation. All in all, these features make the tripod versatile in any setting.

BEST FOR: THE VLOGGER

One of the only mini tripods on this list, the Manfrotto PIXI Evo is a tabletop tripod great for filming YouTube videos, taking low-angle shots, or using it in an unextended form as a selfie/vlogging stick. The tripod weighs only 9.4 ounces. It is able to support about 5.5 pounds, which is impressive considering its lightweight. However, it can become unbalanced, just like the other tripods. The legs have two preset angle positions that you can change with a slider selector. 

For more filming and shooting options, the PIXI Evo features a 90-degree notch in the ball head that you can use to flip your phone or camera into a portrait orientation. That said, this tripod performs better on flat surfaces, so if you are an urban vlogger, it will be fine. Despite its portability, its feet don’t have enough rubber to stay put on rocky ground.

BEST FOR: ANGLE EXPERIMENTS

If you are looking for some flexible alternatives, then a gorillapod may be the answer. The Joby GorillaPod 3K has several joints that you can hook around something so you can experiment with all sorts of angles and orientations, as well as prop it up on rocky ground. The feet, as well as certain parts of the joints, have a rubber finish to help it stand. At just 9.4’’ in length, and weighing in at only 8.7 oz, this tripod is very portable. Especially so since you can fold it up at the joints. 

The tripod is well suited for mid-sized DSLRs, as it will confidently support 6.6 pounds of weight. Once your camera is mounted, you have limitless angle options, as the ball head is capable of 360-degree panning and 90-degree portrait tilting. As a bonus, it has a small bubble level to help you set up the perfect angle.

BEST FOR: THE HEAVY LIFTER

Another 2-1 tripod, one of Neewer tripod’s legs doubles as a monopod. Monopods are useful when you are working with heavy gear, such as telephoto lenses. You can mount your camera and take the weight off your shoulders, while still being able to maneuver. However, monopods are not as stable as tripods, which is why this product has both. Plus, the monopod can serve as a walking stick. Another innovation is the use of carbon fiber, which is a lightweight and sturdy material perfect for a travel tripod.

Neewer’s ball head allows for 360-degree panning, which comes in especially handy when it is used as a monopod. If you want to take photos at low angles, the legs can be flattened or the central column can be inverted. Some smaller features include a column hook for weighing down the tripod and a bubble level for accurate positioning.

BEST FOR: THE LENS PRO

The Dolica Proline GX is a 2.5-pound tripod that is able to support heavy gear like a telephoto lens and a flash weighing up to 12.5 pounds. It extends from 1 meter to 1.5 meters, which doesn’t make it exceptionally packable, but it is good for a heavy-duty tripod. Plus, you can take it outside, as it is made from anodized aluminum alloy and plastic. This means that it is weather-proof and sturdy. 

The Proline GX even considers accidents. Its ball head has a safety lock that prevents the camera or the lens from falling. The legs have 4-level positioning and retractable spikes for stability on uneven ground. Among other features, the ball head also has degree markings, so you can set up the perfect angle and capture panoramas. If that’s not enough, there’s also a bubble level as well!

BEST FOR: BALANCE

Able to be collapsed to a mere 30 centimeters, the SIRUI T-0S presents many transforming options, as well as stability. The tripod’s legs can be folded by 180 degrees, which accounts for its compact packed size. To cut down on this size, you can also take off the head and the center column. This lets you take low-angle shots as well. Speaking of angles, independent 3-section legs offer you the flexibility of any positioning. 

Stability is accounted for by the head that you can mount on the tripod’s shoulders. Plus, a keyring and a carabiner are on the bottom of the center column so you can hang weights for added stability. As for other features, you can experiment with 360-degree panning if you want to shoot panoramas. Finally, if you happen to travel to chilly places, the tripod has cold-weather grips that stay sturdy and don’t freeze in your hand.